Manhattan Project

This recording of Rush's Manhattan Project has significant impact on the recording history of Tolwyn (and Ruscio). The first thing to realize is that I had a Fostex 4-Track recorder synched to an Alesis Sequencer, which had to be triggered at "run time." The other notable thing is that the drums were programmed with intense accuracy using tools and technology that noone should have to deal with. So when you listen to this recording from 1991, remember that I had to program every drum hit, every bass note. This song was done with 3 tracks of audio with 1 track triggering a drum machine and a sequencer.